feature_films

The Deadly Companions is a 1961 American Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.

Ella Cinders is a 1926 American silent comedy film directed by Alfred E. Green, starring Colleen Moore, produced by her husband John McCormick (1893-1961), and co-starring Moore's most popular co-star, Lloyd Hughes. The film is based on the syndicated comic strip of the same name by William M. Conselman and Charles Plumb.

In 2013, Ella Cinders was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

God's Little Acre is a 1958 American film of Erskine Caldwell's 1933 novel of the same name. It was directed by Anthony Mann and shot in black and white by cinematographer Ernest Haller. Although the film was not released until August 1958, its production schedule is indicated as September 11 to late October 1957.

The Man with the Golden Arm is a 1955 American drama film with elements of film noir, based on the novel of the same name by Nelson Algren, which tells the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", in contrast to Algren's book which named the drug as morphine. The film stars Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin.

The Extra Girl is a 1923 American silent comedy film directed by F. Richard Jones and starring Mabel Normand. Produced by Mack Sennett, The Extra Girl followed earlier films about the film industry and also paved the way for later films about Hollywood, such as King Vidor’s Show People (1928). It was still unusual in 1923 for filmmakers to make a film about the southern California film industry, then little more than ten years old. Still, many of the Hollywood clichés of small town girls travelling to Hollywood to become film stars are here to reinforce the myths of Tinseltown.

Zaza is a 1923 American silent romantic drama film directed and produced by Allan Dwan, and starring Gloria Swanson. This film is based on the 1899 French play of the same name produced on Broadway by David Belasco and starring Mrs. Leslie Carter. A print of the film is housed at the George Eastman House and the Library of Congress.

A previous film version was released by Paramount in 1915 starring Pauline Frederick. A third version, directed by George Cukor and starring Claudette Colbert, was released in 1939.

Scaramouche (1923) is a silent costume adventure based on the novel Scaramouche by Rafael Sabatini, directed by Rex Ingram, released by Metro Pictures, and starring Ramón Novarro, Alice Terry, Lewis Stone, and Lloyd Ingraham.

Scaramouche became public domain in the United States on January 1, 2019

Our Hospitality is a 1923 silent comedy film directed by and starring Buster Keaton. Released by Metro Pictures Corporation, the film uses slapstick and situational comedy to tell the story of Willie McKay, who gets caught in the middle of the infamous "Canfield"–"McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.

The Ten Commandments is a 1923 American silent religious epic film produced and directed by Cecil B. DeMille. Written by Jeanie MacPherson, the film is divided into two parts: a prologue recreating the biblical story of the Exodus and a modern story concerning two brothers and their respective views of the Ten Commandments.

Safety Last! is a 1923 American silent romantic comedy film starring Harold Lloyd. It includes one of the most famous images from the silent film era: Lloyd clutching the hands of a large clock as he dangles from the outside of a skyscraper above moving traffic. The film was highly successful and critically hailed, and it cemented Lloyd's status as a major figure in early motion pictures. It is still popular at revivals, and it is viewed today as one of the great film comedies.

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