silent

Complete version (other version on archive.org is missing 1st 4 minutes) Union solders have stolen The General, a Confederate train manned by Johnnie Gray, who was unable to enlist in the Confederate army because he is needed as an engineer. The Union plans to use the train to supply its soldiers in a sneak attack against the Confederates. But now it's up to Gray and his love, Annabelle Lee, to reclaim The General, recross enemy lines, and warn the Confederates.

Gilbert M. Anderson plays a cowboy who gets kicked out of town and told he'll be shot if he comes back. A Thunderbird Picture.

A Lon Chaney Public Domain Feature

The Electric House starts with Buster's graduation ceremony as the first of his comic misfortunes, including a mix-up of diplomas so Buster receives a diploma in electrical engineering. This leads to a job opportunity: electrifying the family house of the girl he's sweet on. A great chance, so Buster studies hard and soon installs a useful and impressive set of electric appliances.

Buster's handmade boat, The Damfino, is finished and is, of course, too large to get through the basement door. When he drives off with it in tow, the side of his house, then the whole thing, collapses. At the harbor he rides the boat out only to have it sink beneath him. The rest is a series of adventures he and his family have with the restored boat. This funny short has some good subtile gags plus the usual slapstick and gadgets.

Buster Keaton goes to college and trys to master sports ... all or any of them.

Blacksmiths' assistant inadvertent clowning around in the shop, gets into fight with the smithy who is then arrested and placed in jail. In the meantime, the assistant tries to help several customers with devastating comedic consequences.

Mark of Zorro was the transition between Douglas Fairbanks' early career as a brash all-American hero and the lavish 1920s costume adventures.

Considered one of the most important films in the history of silent pictures, as well as possibly Eisenstein's greatest work, Battleship Potemkin brought Eisenstein's theories of cinema art to the world in a powerful showcase; his emphasis on montage, his stress of intellectual contact, and his treatment of the mass instead of the individual as the protagonist. The film tells the story of the mutiny on the Russian ship Prince Potemkin during the 1905 uprising.

The Universal Film Manufacturing Company was not known in the silent era as premier producer of motion pictures. Yet, in 1916 they produced a film that could not be made effectively without expensive special effects and special photography.

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