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Other Versions of this Movie

Warning from Space

1956

Taken from IMDB: UFO's are seen around Tokyo. Because they look like giant starfish the aliens cannot approach us without creating panic. Hence one of them sacrifices itself and takes the form of a popular female singer. It/she warns mankind that a meteor will crash on Earth. While the approaching meteor causes hotter and hotter weather, mankind runs and builds a last-chance anti-meteor weapon



is a Japanese science fiction tokusatsu Cinema of Japan released in January 1956 by Kadokawa Pictures, and was the first Japanese science fiction film to be produced in color. In the film's plot, starfish-like extraterrestrial life disguised as humans travel to Earth to warn of the imminent collision of a rogue planet and Earth. As the planet rapidly accelerates toward Earth, a nuclear weapon is created at the last minute and destroys the approaching world.
The film, directed by Koji Shima, was one of many early Japanese monster films quickly produced after the success of Toho's Godzilla (1954 film) in 1954. The film was loosely based on a novel by Gentaro Nakajima. After release, the film was met with negative reviews, with critics calling it "bizarre" and accusing it of using science fiction clichés. Warning from Space influenced many other Japanese science fiction films, such as Gorath. The film, along with other 1950s science fiction films, influenced director Stanley Kubrick, who would later direct 2001: A Space Odyssey.

Plot

A small ship travels to a rotating space station. Aboard the station, a group of starfish-like beings discuss how to warn humans of an impending disaster, deciding on contacting Japanese scientist Dr. Kumara. Meanwhile, flying saucers are spotted over the skies of Tokyo, baffling scientists. A journalist tries to get a statement from Dr. Kumara about the sightings, but Kumara replies that there is not enough evidence to formulate a hypothesis. At an observatory, Professor Isobe spots an unidentified flying object in his telescope apparently releasing smaller objects.
Isobe discusses his findings with Kumara and a physician, Dr. Matsuda, who takes photographs of the object, though they turn out to be unclear. But they can still deduce the object has a high energy output. Meanwhile, the Extraterrestrial lifes have been unsuccessfully attempting to contact humans. They appear in lakes and rivers, frightening fishermen and sailors. One of the aliens manages to get a photo of Hikari Aozora, a famous Japanese entertainer. They plan to have one of the aliens mutate to look like Aozora. Back aboard the space station, one of the Pairan leaders, Ginko, volunteers to slowly mutate into the human form.
File:Warning from Space Pairans.jpg
On Earth, Toru, Isobe's son, discovers the disguised alien floating in the water. After her rescue, she exhibits superhuman characteristics such as jumping ten feet and Teleportation in different places. Soon, she disrupts Dr. Matsuda's work on a weapon of mass destruction, explaining she understands the complex equations he was writing and warning against the nuclear winter of a device. Shortly afterwards, as the team of scientists discuss her abnormal traits, Ginko reveals her true identity, explaining she is from Paira, a world on the same orbit as Earth but on the Counter-Earth of the Sun. She then announces her mission, to warn Earth of an impact event of a rogue planet, which is dubbed "Planet R" by the media. They appeal to the World Congress about the situation, but are ejected. Only after they prove evidence of Planet R and its rapid gravitational acceleration does the World Congress launch its nuclear weapons, which are ineffective.
In the meantime, spies have abducted Matsuda and are attempting to steal his formula to the nuclear device. Matsuda does not comply and is eventually left tied to a chair in a remote building. As the Atmosphere of Earth heats up because of the approaching Planet R, Ginko again arrives to learn why it hasn't been destroyed yet. Using Pairan technology they rescue Matsuda and the formula for the device. They watch as the device is fired at Planet R destroying it. Earth's atmosphere immediately begins to cool, saving humanity.

Production

After the success of Toho's 1954 film Godzilla (1954 film), which depicted a giant dinosaur attacking Tokyo, many Japanese studios began to produce similar monster movies, including Warning from Space.< name="noir"></>< name="bigg"></> Along with other films such as Shintoho's Terrifying Attack of the Flying Saucers and the United Statesn Forbidden Planet, Warning from Space became part of a fledgling subgenre of films based around science fiction creatures.< name="eiji"></> The film also included the fashionable use of atomic bombs as many other films did at the time,<></><></> but showed how the weapons, which Atomic bombings of Hiroshima and Nagasaki the Japanese cities of Hiroshima and Nagasaki a decade earlier, could be put to good use.<></> Still others noted the film used another common theme of Impact event#Impact events in popular cultures in the style of earlier films such as the 1931 film End of the World (1931 film), which depicted a comet on a collision course with the Earth.< name="physics"></>

The Pairan aliens were designed by the prominent avant-garde artist Tarō Okamoto,</> Although posters showed the Pairan aliens towering over buildings, they were on the scale of humans, at about two meters.< name="stan"></> Walt Lee reports that Gentaro Nakajima's novel, on which this film was based, was in turn based on the Japanese folktale </> The film was one of fourteen Japanese color pictures produced in early 1956,<></> but the first color Japanese science-fiction film.< name="malaysia" />

Release

Daiei also hoped to find a foreign market for Warning from Space, though the company found difficulty in selling it.< name="shoemaker"></> Nevertheless, the film played at both King Cinema in Yangon, Myanmar<></> and Tai Khoon Theatre in Sandakan, Malaysia, in 1958.</> It was passed for release, anglicized as Warning from Space, by the BBFC in the United Kingdom in 1957,</> It was picked up by American International Television later in the 1960s.</>

Reception

The film was met with negative reviews. In his book A Guide to Apocalyptic Cinema, Charles P. Mitchell called the film "bizarre" and gave it two stars.< name="mitchell"></> Similarly, in a 1978 issue of the magazine Cue, viewers were warned "don't watch it."< name="cue"></> In the 1986 Encyclopedia of Science Fiction Movies by Phil Hardy and Denis Gifford, the film is accused of using the science fiction clichés of flying saucers and atomic bombs.< name="hardy"></> Gyan Prakash, in his book Noir Urbanisms: Dystopic Images of the Modern City, called the film "charming."</>
In his biography of Stanley Kubrick, author John Baxter (author) traces Kubrick's interest in science fiction films, which led to his 2001: A Space Odyssey, to the Japanese Kaiju films of the 1950s, including Warning from Space, with its "nameless two-metre-tall black starfish with a single central eye, who walk en pointe like ballet dancers."</> The planet Paira in Warning from Space may have been an influence in the Daiei films Gamera vs. Guiron and Gamera: Super Monster, which feature the planet Tera, another Counter-Earth.<></> Critics have also noted plot similarities to the later Toho film Monster Zero, in that a friendly planet warns Japan of the atom bomb and subsequently assists in celestial defense.< name="dark"></> The Pairans' asteroidean appearance is similar to that of a later pentagrammic creation, Starro, a villain from DC Comics' Justice League.<></><></>

  • Warning from Space] at the
    Category:Films set in Tokyo
    Category:1956 films
    Category:Japanese films
    Category:Films directed by Koji Shima
    Category:1950s science fiction films
    Category:Daiei Film tokusatsu films
    Category:Space adventure films
    Category:Daiei Film films
    Category:American International Pictures films
  • 3.00
    Masaichi Nagata

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