Film_Noir

"Three gunmen, who have been hired to assassinate the President, hold a family hostage while waiting for their target. Interesting B film which focuses on psychopathic killer well-portrayed against type by Frank Sinatra." - noir expert Spencer Selby | Cast: Frank Sinatra, Sterling Hayden, James Gleason, Nancy Gates. 77 min.

A prison inmate trying to go straight is forced into participating in a prison break by another convict. After the two men escape, they separate. The reluctant inmate hides out in a cafe, where he falls in love with a waitress who works there - who he doesn't know is the girlfriend of the convict who forced him to escape.

"Tough cop helps his lover cover up the shooting of her wealthy husband. Mainstream noir, primarily distinguished by its acting and San Francisco visuals." - noir expert Spencer Selby Cast: Lee J. Cobb, John Dall, Jane Wyatt, Lisa Howard. 81 min.

This is pure noir. Lizabeth Scott and Arthur Kennedy are a couple who receive a satchel full of money that was intended for someone else (Dan Duryea). He wants to turn the cash over to the authorities; she wants to keep it---no matter what the consequenses: "Jane, Jane, what's happening to us---what's happening. The money sits down there in an old leather bag and yet it's tearing us apart. It's poison, Jane. It's changing you, it's changing both of us." "Chances like this are never offered twice. This is it. I've been waiting for it---dreaming of it all my life, even when I was a kid."

After the theft of $500,000 in a carefully executed train robbery, an insurance investigator (Mark Stevens, who also doubled as director and producer) is forced to cancel a planned vacation with his wife to assist a railroad detective in identifying the culprits and recovering the money. However, private preoccupations weigh on his mind and he grows increasingly restless as the investigation goes on.

Because a reviewer stated that the audio is out of sync with the video, here's a link to a different transcoding that was derived from a different source file: CLICK HERE Cornel Wilde stars in an excellent noir. This copy is sharper than the one that was already here.

German director Fritz Lang is best known for the highly influential films from relatively early in his career, especially Metropolis (1927) and M (1931). But he also had a brief Hollywood heyday during the mid 1940s, when he made some of his best films. Scarlet Street has been claimed by film noir. This attribution is understandable. The lighting is dark, with heavy use of shadows. The characters are all shady as well. Kitty is certainly a femme fatale, although hints are dropped that she is an inherently decent person who has become completely corrupted by Johnny.

An engrossing film noir with Mickey Rooney, Peter Lorre, and Jeanne Cagney. Needing money for a date, Rooney borrows $20 from the cash register, starting a chain of events that includes car theft, burglary, and possibly murder. Read more at the IMDB. (The video is interlaced in both the MPEG2 file and the Cinepack. If viewing with VLC, deinterlace with menu-path Video/Deinterlace/Blend.)

Set Connecticut after World War II, The Stranger is a cat and mouse game between Wilson (Edward G. Robinson), a member of the Allied War Crimes Commission and Franz Kindler (Orson Welles), a Nazi who has assumed the false identity of Dr. Charles Rankin. To complete his new intelligentsia disguise, Kindler marries Mary Longstreet, daughter of a Supreme Court justice. Originally uploaded by k-otic.com

No more uploads I was very satisfied with FTP uploading at archive.org. I was able to see exactly how much of the upload had been completed. I was able to see the rate at which the upload was progressing. And, perhaps most important of all, I was able to resume an interrupted upload. In other words, if I had uploaded 90% of a file when the connection was lost, all I had to do was reconnect and upload the remaining 10%. The programmers at archive.org have eliminated the best way of uploading, uploading via FTP. They have decided to force everyone to use an inferior, cruder method.

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